OUR WORLD
COLOUR
Edward believes colours are lyrics and humour in our world. They make us feel and help us to express ourselves. A similar colour but slightly different tone can trigger a new sense of emotion, and matching different colours together releases a new sensation. Our world without colour would be like a soulless movie in auto-play.
Colours are everywhere in our world: in our nature, creativity, or dream. The perception of colour is an immensely personal experience. This most primal and intriguing relationship between humans and colours gives Edward great inspiration.
Colourscapes by Ian Davenport, 2017
The cannon by Anish Kapoor, 2009
EMOTION
Powerful drama and emotion grip our hearts, and this is what continuously inspires Edward. Whether that is a heart-wrenching story or a selfless act of kindness, every little story in our lives is a fountain of inspiration.
Edward believes observing, understanding, and empathising are essential skills for a good designer. Embedding a story or a sentiment behind each of his designs is one of Edward’s signatures. He believes this invisible yet meaningful bond between the jewellery and the wear makes each piece of EDXÚ jewellery unique.
“To feel, dream, and desire is the utmost luxury.”
ARCHITECTURE, ART & NATURE
From Pierre Cardin's Palais Bulles house to Cartier's 1920s Art-Deco bangle, studying and appreciating these masterpieces is an abundance of joy and provides a great source of inspiration for Edward. He reinterprets what he sees and translates these fascinating elements into his designs.
Palais Bulles house by Pierre Cardin, 1989
High Sky by Bridget Riley, 1991
Coral & Seashells by Nature
Edward is constantly inspired by our magnificent nature and arts from different disciplines. From the 1920s’ Art Deco ‘revolution’ to 1940s Modernist paintings, from the late 20th century’s Parametricism architecture to the impactful contemporary arts from Anish Kapoor and Bridget Riley, he believes different types of arts are coherent and connected. For example, in architecture and jewellery, we live in the former while the latter lives on us. A building can accommodate us and keep our physical assets safe, while jewellery carries monetary and sentimental value.
Heydar Aliyev Centre, Baku, Azerbaijan by Zaha Hadid, 2012
Still Life by Le Corbusier, 1920
2001: A Space Odyssey by Stanley Kubrick, 1968
Le Talisman by Paul Sérusier, 1888
Illustration by Koketit, 2019
“Reinterpret beyond boundary”
The Holy Mountain by Alejandro Jodorowsky, 1973
Summer Vacation by Nigel Van Wieck, 2007
Illustration by Robson Stannard, 2018
Marina City, Chicago, US by Bertrand Goldberg, 1964
Mushrooms by Nature
Art Deco Platinum Surete Pin with Emerald, Onyx & Diamond by Cartier, 1925